Nau mai, haere mai, welcome to EyeContact. You are invited to respond to reviews and contribute to discussion by registering to participate.

RF

Sydney Contemporary Art Fair (SCAF) 2013 Part 2

AA
View Discussion
Zhou Wendou, Basketball Hoop Julian Meagher, Gin Act 1751 Sarah Ryan, Today Janet Beckhouse, Ellwood Vase Yasmin Smith, Apprentice Welder, Anish Kapoor, Shadow V Abdul Abdullah, It doesn't Matter How I Feel Yvonne Todd, Smoke Emitters Sarah Contos, Pow Ow Wow Michael Zavros, Zavros' Flowers

Director Pascale de Sarthe said that having observed the increased presence of Australian collectors interested in international art at ART HK/Art Basel Hong Kong over the last few years he felt the mood was right for de Sarthe to show at Sydney Contemporary. Having sold Zhou Wendou's striking neon work Basketball Hoop (2009) to a local Australian collector Pascale said, “We will definitely be coming back to Sydney, even outside of the fair.”

CarriageWorks

Sydney

 

Art Fair
Sydney Contemporary 13

 

19 - 22 September 2013

At the close of Sydney Contemporary 13 the general consensus amongst gallerists was that Sydney’s first art fair has been a resounding success. The response to the timing and venue was positive and consistent crowds meant that the Carriageworks site was continually filled with collectors and art lovers for the entire three days of the event.

Sales across the board were strong and there appeared to be considerable interest in emerging artists with a number of young commercial galleries reporting healthy sales. At Chalk Horse (Sydney) Julian Meagher paintings sold well as did the lenticular photographic works of Sarah Ryan at Ryan Renshaw (Brisbane). Paul Yore’s technicolour tapestries sold out at Neon Parc (Melbourne) including The Glorious Dawn (2012) acquired by Artbank. Neon Parc also sold a number of Janet Beckhouse’s wildly embellished ceramic vessels. The Commercial (Sydney) also sold ceramic pieces by young Sydney artist, Yasmin Smith. At Starkwhite (NZ) Rebecca Baumann’s coloured flip-clock installation Automated Colour Field (Variation 2) (2013) sold out an edition of five and Ross Manning’s kinetic sculpture also sold four from the edition. Fehily Contemporary (Melbourne) sold out an edition of Abdul Abdullah’s cheeky photograph It Doesn’t Matter How I Feel (2013) and chalked up considerable sales across Abdullah’s painting and photographic practice.

Despite a heavy 2D presence at the fair interest in video works was strong with Artbank acquiring Kate Mitchell’s performative video Getting Through It (2012) from Chalk Horse. Ryan Renshaw (Brisbane) also sold well in the video market with an entire edition of Yvonne Todd’s Smoke Emitters (1993/2013) selling out. Artereal (Sydney) also noted an increased interest in video with sales of Hayden Fowler’s New World Order (2013).

Even the non-profit sector reported excellent sales. ArtGuide provided Sydney’s oldest artist-run initiative (ARI) Firstdraft and Sydney’s newest ARI, Alaska Projects, an innovative space located in a Kings Cross carpark, with the opportunity to show at Sydney Contemporary. Sarah Contos’ mixed media paintings sold out as did editions of Samuel Hodge’s photographs. Kate Scardifield also proved a winner with her gouaches walking out the door. For Director Sebastian Goldspink the opportunity to be a part of Sydney Contemporary saw his gallery make 90% of sales to people who had never in fact been to the gallery. And most gallerists echoed this point. Even at the high-end of the spectrum Tim Olsen of stalwart Sydney commercial gallery, OLSEN IRWIN (Sydney) noted that their gallery sales were almost entirely outside of their Sydney collector base. He said, “We are selling to new people. And that is a really exciting thing for the gallery and the Australian art scene.”

For international galleries, many of them showing in their first art fair in Australia, Sydney Contemporary was always going to be filled with initial challenges. de Sarthe Gallery (Hong Kong) had the most ambitious collection on show with heavyweights Richard Long, Gilbert & George, Barbara Kruger and Chen Zhen. Director Pascale de Sarthe said that having observed the increased presence of Australian collectors interested in international art at ART HK/Art Basel Hong Kong over the last few years he felt the mood was right for de Sarthe to show at Sydney Contemporary. Having sold Zhou Wendou’s striking neon work Basketball Hoop (2009) to a local Australian collector Pascale said, “We will definitely be coming back to Sydney, even outside of the fair. The economic power of Asia is bringing Australia into the market and we couldn’t be a gallery in Hong Kong and not have a presence in Australia. There is money here and an appreciation for art.”

The Paragon Press (London) showed works on paper with editions from Damien Hirst, Anish Kapoor and Richard Deacon and confirmed sales of Hirst, Kapoor and Jake & Dinos Chapman. South African gallery, Everard Read had a large booth at the rear of the main hall and reported healthy sales of eminent African artists Lionel Smit, Phillemon Hlungwani, Pauline Gutter, Deborah Bell and Angus Taylor.

Whitestone Gallery (Tokyo) presented works by contemporary Japanese artists including a large showing of works by Yayoi Kusama. Haruka Ichikawa from the gallery said she was particularly impressed with the large amount of curatorial interest. Gallerists from 10 Chancery Lane (Hong Kong) and Starkwhite (NZ) also noted the number of international art consultants who were present throughout the fair. The largest contingent of international collectors appeared to be from New Zealand.

One particular point I heard repeatedly was the need to capitalize on the momentum gathered by the first fair and that two years is too long a time to wait for the next Sydney Contemporary. Numbers far exceeded expectations with over 28,000 people visiting the fair and there were a number of $50,000+ sales including Michael Zavros’ riff on Hirst Zavros’ Flowers (2013). Can Etchells pull off an annual event? We can only wait and see.

Rachel Fuller

Print | Facebook | Twitter | Email

 

Recent Posts by Rachel Fuller

RF
Rebecca Baumann

Sydney Contemporary Art Fair (SCAF) 2013: Part 1

CarriageWorks

Sydney

 

Art Fair

Sydney Contemporary 13

 

19 September - 22 September 2013

RF
Kate Mitchell, Fall Stack, 2012, 5-channel synchronised video installation, dimensions variable. Courtesy the artist and Chalk Horse, Sydney

Looking at Primavera in Sydney

MUSEUM OF CONTEMPORARY ART

Sydney

 

Group show

Primavera 2012: Young Australian Artists

 

4 October - 2 December 2012

RF
John Wolseley, Ventifacts from Mallee Scrub after Fire, 2007–12, carbonised wood, natural ochres, watercolour on rag paper, dimensions variable. Courtesy the artist and Roslyn Oxley9 Gallery, Sydney Photograph: Ben Symons

The Biennale in AGNSW

The 18th Sydney Biennale

Sydney

 

Art Gallery of New South Wales

In Finite Blue Planet

 

27 June - 16 September 2012

RF
Lauren Brincat, Southeasterlies to the Doldrums, 2012 Nautical sail, adhesive nautical fabric, cassette tape 1400 x 600 x 15 cm

Brincat in Sydney

ANNA SCHWARTZ GALLERY

Sydney

 

Lauren Brincat
Shoot from the Hip



28 March - 21 April 2012